A good story well worth telling ...
about
the dark secrets that only parents can keep,
and the deep friendship that
only twelve year olds can understand...
A
review by Fair from Canada
15th January 2007
The
film industry is always so surprising, and never more surprising than when a small
little film has so much more to say, over much of what you find in the mainstream
channels. Off the radar for most, an immediate gem for anyone willing to discover
it, "Rounding First" tells a worthwhile story about a journey
of discovery for three twelve year old boys. With this initial offering and obvious
labour of love, writer/director Jim Fleigner has crafted a story that feels both
familiar, and yet is compelling enough with a powerful ending that sets it apart.

Knowing
basically nothing about the story other than I had heard it compared with "Stand
By Me", I was only aware that "Rounding First" was a small
indie film, and was urged to give the film a chance by a select little film community
that needs no description. I watched the film and was fully taken by surprise.
It was like "Wow!!" did that just happen... and I just had to watch
the film again. I did, the very next day... and then I watched it again the day
after that... basically, what a great surprise and a wonderful
discovery. Although
I can understand the comparison to "Stand By Me", I would have to say
such a comparison is not warranted, as "Rounding First" is not
intentionally nostalgic like the other film. The heart of "Rounding First"
is not derived from remembering fondly some golden era, but rather from the dark
secrets that only parents can keep, and the deep friendship that only twelve year
olds can understand.
I watched
the film again and again, because it made me want to experience that journey again.
Quite simply, for me that was made possible by the two young actors Soren Fulton
and Matt Borish. Sam Semenza was all right, but his character was not involved
to the same depth as the other two characters, and as the foil for comic relief,
he did quite well. That is not to diminish his character in any way, and a big
part of being twelve is having fun and finding the humour in just about anything,
but for me the film works because of the relationship between the two characters
played by Matt and Soren. They were very honest and real in their performances,
and although the twelve year old characters would never talk about such stuff,
the performances made the love and friendship the two best friends shared very
believeable, and is why the dramatic sequence at the end worked so
well.
What
makes the film work, and why the ending is so effective, is that the film earns
that ending by how we are drawn into the two characters over the course of the
film. We get to experience the depth of friendship they have, in how they interact,
the moments they share, and how they jump to the other's defence without hesitation
when some perceived line that only they know the boundry has been crossed. Sure
they are just twelve years old, and are joking around and everything else you
would expect at that age, but that age also means they are very open to each other,
and is why such friendships are always so well remembered. When the final dramatic
scene hits, it is not the love from a parent that can prevent something very tragic
from happening, it can only come with "Joe" effectively being "Tiger's"
conscience, and telling him not to do something foolish because he needs him.
Everyone else is yelling around him, and all that "Tiger" could hear
above all that is the whispering voice of his best friend. It is in that moment
you find the true heart of the story transformed into the full compass of human
emotions. A well scripted scene brought to life by Matt and Soren... it must have
been very satisfying for Mr. Fleigner to witness his words on the page become
so real. I am sure it looked good on paper, but I have no doubt they brought those
words to a whole other level. A wonderful testament to the script, and the performances.
It
is amazing Mr. Fleigner got the film made at all, and it was his belief in what
he was doing and why it was a good story well worth telling, that really comes
through in the finished film. Many thanks to him and everyone involved... and
especially Matt, Soren and Sam.